In “At The Rabbit’s Feet" I share dialogue between my rational and ruthless self. Professional dancer Caroline Bradbury translates this through movement in a crepe de chine dress covered in images of blue wasps with human-like heads representing the lethal antagonist. She approaches a ceramic rabbit, the lighthearted protagonist identified as Lilith, with caution for the beginning of the performance. Eventually, she captures Lilith and attempts to merge Lilith with her own spirit. Consciousness overwhelms  Bradbury as she begins to grasp that capturing Lilith is not the solution to enhance her own beauty. Lilith's protective shell of innocence is impenetrable and Bradbury withdraws in the end feeling spared. 

Music by Audio Engineer Joe Miller

Video & Photo by Zach MisCavage

Featuring Professional Dancer Caroline Bradbury